As often as he can, Baryn Futa loans pieces from his own very substantial collection to museums because he wants more people to appreciate the arts as much as he does.  It’s a very impressive collection. And while it is worth a lot of money, that’s not the main reason he collects art. You see, by collecting art on his own, he is helping to preserve it for future generations. The monetary value would only really matter if he planned to sell it, and he doesn’t plan to do that at all.
 
Art is both a necessary and defining part of any culture and it is important enough to preserve for future generations. In fact, Baryn Futa truly believes the art of the past puts us in touch with our ancestors in a way that nothing else can. That is the key reason we owe it to our future to preserve as much art as possible and carry it into the future. That is the right thing to do and it also has a side benefit of making art collectors and art museums extremely important.
 
It should be obvious that, while nearly every person with access to it appreciates all art on some level, not everyone is equipped to support art to the extent that is needed. That is why, if it seems as though Baryn Futa is trying to pick up the slack, it’s because he is. He sees art as a necessary cause that someone has to preserve for the future, and he is happy to take on as much of that responsibility as he possible can. It’s only a coincidence that art is not just a great cause that benefits society as a whole, as well as a very profitable and useful investment.

In the abstract, at least, appreciation for fine art runs deep in most civilized human societies. That is why Baryn Futa feel so strongly that the arts deserved to be supported, even though they too often go without that necessary support they really need. Artists who are brilliant are not able to thrive because they cannot create a living from their work. Baryn Futa recognizes this struggle and has attempted to do all that he can to help the situation.
 
Baryn Futa is a fine arts appreciator and benefactor who considers himself proud to be in a position to help artists and art museums to thrive, even following the most recent recession, which was the worst economic downturn since the Great Depression. Baryn Futa believes that support fr the development and growth of the arts is a calling for him, which is why he has displayed a high level of commitment to that goal.
 
It is simply a fact that Baryn Futa didn't always have such a deep appreciation for the arts. He’s kind of making up for lost time, since it wasn't until he retired and began working with the Denver Art Museum that he began to appreciate the importance of the arts. He used his time at DAM to cultivate his love of the arts and art history by attending art fairs and museum exhibitions and anything else he could find. He also attended numerous arts classes and started his own art collection, which has grown to be very extensive and impressive. He now holds memberships in a great number of prominent art museums with impressive collections of their own, including The Metropolitan Museum of Art, the Guggenheim, and The Jewish Museum.

These days, he is well-known as a prominent arts patron with a rich appreciation for fine art, but the truth is, Baryn Futa wasn’t born that way. In fact, the beginnings of his artist’s soul actually came after his retirement, when he began working with the Denver Art Museum. In that position, something sparked inside him and he began to appreciate the vital importance the arts play in every society. No one was more surprised than he that he felt such a deep attraction to the art world and developed such a profound importance to preserving society and culture.

During his time at the DAM, he attended art fairs and museum exhibitions and anything else he could find to satisfy his craving for more. Thankfully, Baryn Futa realized that, while nearly everyone has an appreciation for the arts on some level, few are in a position to support the arts to the extent that is needed. It is that reality that has caused Baryn to take on as much of that responsibility that he could. Over the course of his later life, he has come to realize that art is a great cause that benefits society, but it is also a profitable and useful investment. Loving art is a win-win for everyone.

Building a career as an artist is a difficult task -- hence “starving artist.” As one artist stated on her blog, “Once you know that you are not going to make rent, you can’t really make art.” That’s where benefactors such as Baryn Futa come in. This fine arts appreciator not only seeks to discover budding, brilliant artists, but he holds a desire to support the development and growth of artists and museums who deserve a level of commitment toward surviving and thriving in the world of art.

Artists create no matter their circumstances -- despite working one or two jobs, despite having robust families, despite not finding the craft until late in life. Futa is there to support all artists with gifts and talents. Additionally, he hopes to help museums nurture their collections as well. Not every facility benefits from prospering budgets, but many wish to display beautiful artistry and exhibits for communities to experience. Baryn Futa recognizes this and remains committed to the growth of museums everywhere.

Art runs deep in many forms throughout society -- and should be a central component of life. Money shouldn’t dictate access and Futa hopes to open those doors for all, artists and viewers alike.

As a prolific arts patron, Baryn Futa does the best he can because he sincerely believes the arts to be among the most beautiful aspects of life. However, he believes there is more to the arts than just beauty. He recognizes the arts as playing a necessary and defining element of any culture and every society. For those reasons and many others, Baryn has come to the conclusion that art should always be preserved for future generations.

From Baryn Futa’s perspective - and he is not alone - the art of the past has managed to build a bridge to our ancestors in a way nothing else can. That is why he believes it is our responsibility as a society to we preserve as much art as possible for future generations. In addition to old or ancient art that has been preserved through the centuries, we should also preserve as much current artistic expression as possible, for posterity. After all, if art is seen as communication, we should continue the conversation well into the future.

Baryn Futa currently holds memberships in many prominent art museums with impressive collections of their own. He does this because he believes that preserving as much art as possible for future generations is essential to the preservation of societal identity. Among his memberships include the Metropolitan Museum of Art, the Guggenheim, and The Jewish Museum, all of which have what he feels are essential art collections. He also has a large collection of his own and he loans pieces to museums whenever he can.

That is because Baryn Futa wants more people to appreciate the arts the way he does. He feels that it’s impossible to overstate the importance of art as an essential defining element of any culture. That is why it is important to preserve as much as possible for future generations. Baryn wants people to think of art as a kind of time capsule. The art of a particular time puts us in touch with our ancestors and communicates to us in a way that nothing else can. Therefore, we owe it to our descendants to preserve as much art as possible for the future.

It is Baryn Futa’s fervent belief that the arts are a defining part of any culture and that preservation of a culture means preserving the arts for future generations. He believes that the art of the past puts us in touch with our ancestors in a way that nothing else can. Therefore, as a society, we owe it to our descendants to preserve as much art as possible for future generations.

It is that belief that drives Baryn Futa as a major arts benefactor. Ever since he went into retirement and began working with the Denver Art Museum, he became an art fan. He came to appreciate the immense importance of the arts by attending art fairs and museum exhibitions and anything else he could find. Then he took numerous arts classes and began collecting art himself. His collection has since become something very extensive and impressive.

With memberships in a great number of prominent art museums with impressive collections of their own, including The Metropolitan Museum of Art, the Guggenheim, and The Jewish Museum, Baryn Futa works hard to cultivate a greater appreciation for the arts everywhere he goes.